Learn to see. The Neoteric Academy of Art, Pennsauken, New Jersey.

The year, in three acts

First the eye. Then the hand. Then your voice.

Realist training develops over time. Like an instrument, it takes repetition, patience, thoughtful correction and experienced coaching — which is why it takes a year and not a weekend.

  1. Sculpted head of a child with curling hair, on a wooden base.
    I

    Train the eye

    Cast drawing, sight-size, plumb and level. Perspective and the anatomy of form, learned from the figure and then carried outward to animals and architecture. Six months in, your eye changes.

  2. Sculpted study of two hands, lit sharply from one side against a dark ground.
    II

    Understand the craft

    Structure, proportion, space, light and form. Line, shape, value, and the intensity of color — the whole academic language, until following through on an observation stops being a struggle.

  3. Painted portrait built from blocks of high-key color — a looser, more personal handling.
    III

    Use your voice

    Academic training often takes the student's voice out. The last part of the year puts it back. You have a language now, and it controls the brush — so the year ends not in imitation but in work that is yours.

Still life painting: a glowing form against a red drape, objects gathered on the table below.
For teenagers, and their parents

The apprentices swept the floors — and drew on their own time.

Six of our twelve places are for students aged fourteen to seventeen, taught on their own days and at their own pace, by the same teachers and to the same standard as the adults.

Some are heading to art school and want a serious first one. Some want a portfolio that opens a door. All of them want to be taken seriously, which is the easiest of the three to promise.

What parents ask
12
students a year
6 & 6
adults and teenagers
2
days in the studio
1
villa in Tuscany

Tuition

The Art of Study

Conservatory · Mentorship · Tuscany

The Conservatory
$1,300/ month
Private Mentorship
$55/ session
Every price and every dateOr begin with a $44 conversation

Tuition covers instruction, studio access, online coursework and critique. Materials, travel and the Tuscany residency are not included — we send a materials list before you start.

Our story

A life devoted to art — and to passing it on.

Education cannot be limited to transferring knowledge from one person to another. It must also protect the individual’s ability to think, question, speak, and create.

— Lisa Silas, co-founder

Lisa Silas and Matthew Riggs met at the Florence Academy of Art more than two decades ago — her training in sculpture, his in drawing and painting, both of it learned from life.

Years later they were running an art school together in Santa Cruz, and it was working. They stepped away from it anyway and spent four more years as students — Studio Incamminati in Philadelphia, and for Lisa a Master of Fine Arts from the New York Academy of Art.

Then South Jersey, and the school they wish had existed closer to home: one that teaches the tradition rigorously, and then hands the student back their own voice.

Read the whole story

A teaching lineage · 278 years

  1. The painter who set the terms for academic art in France — drawing from life first, everything else after. Nearly every atelier still teaches some version of his sequence.
    1748–1825
  2. One of the most influential teachers of the 19th century. He taught at the École des Beaux-Arts for close to forty years, and his students carried the method across Europe and to America.
    1824–1904
  3. The studio schools that carried the method across the Atlantic. Photography and then modernism emptied most of them by the mid-20th century, and the training all but disappeared.
    Paris · Boston
  4. One of the schools that rebuilt the training from the few teachers still practicing it. Lisa studied sculpture there for three years; Matthew trained there too, and it is where the two of them met.
    where Lisa and Matthew trained
  5. Trained in Florence, Philadelphia and New York — drawing, painting, sculpture and anatomy between them. Two decades on, they teach all of it in one room.
    Pennsauken, today
The Neoteric Scholarship

Two of the twelve places, opened to students who couldn’t otherwise take them.

Live models, anatomy and sculpture studios are expensive to provide, which is exactly why universities have been letting them go. A gift keeps a seat open instead.

The first two awards are for 2027Gifts made now fund the places that open then.
Give to the scholarship
Partners

Work with the academy.

Galleries, museums, schools, suppliers and companies who want traditional craft in the room — for an evening, a commission, a workshop, or a scholarship in your name. We would like to hear from you.

Start a conversation

Create work that is truly your own.

The Conservatory year began October 5, and you can still join — tuition is prorated from the day you start. Twelve places, six for adults and six for teenagers. Applying is free and takes about twenty minutes; not everyone is accepted.